wound

it's running down

20 HP

A crank on the panel winds a spring, and the spring runs your clock. Wound, it's a steady master clock. Let go and it starts to run down: the tempo drags and every pitch patched to it falls too, until the whole rack ends on one dragged note. Then you wind it back up.

The WOUND panel: black, with gold dots of a big horn seen from the front filling it, and in the horn's throat a spiral spring of bare board, three turns of it, with a hook at its outer end.

Turn a knob: drag it or tap either side of it, roll the wheel over it or use the arrow keys; a double click puts it back. Wind it: take the crank anywhere on the spring and go round clockwise. Back the other way lets it down. Or tab to it and use the arrow keys, Page Up for a whole turn. The patches step on by themselves until you touch something.

A dark band in A minor, one part on each wheel, every pitch on SAG. It has no clock but this one. Listen plays the patch from its top.

example patches

Everything WOUND does here is its firmware's engine, running in your browser; the crank's shaft and its click are the page's. The band is a stand-in rack.

The spring

Eight turns of the crank wind it from nothing to full, at any setting. Each tick the clock runs takes a little of that back. The lit coil round the crank is what's left, running out from the hub to its hook, and a faint mark on it shows where it starts to fall.

The fall

Under the mark the tempo falls in a straight line, the way a record does. SAG is that speed as pitch. Run every oscillator from it and they all go down together with the clock.

The last moments

What winds it

What comes out

Five wheels on one train, named for the wheels of a real clock. Each stays high for the first half of its own turn, so when the train drags, the gates drag too.

Inside

The crank is printed: a click wheel and its arm on a brass shaft, the shaft in two ball bearings held in two cups clamped through the panel, and on its back end a magnet over a sensor on the board, 1.3 mm away. One board sits 10 mm behind the panel, everything on its front. The coil's 45 LEDs light a white printed channel, so the spring reads as one line. Turned round, the panel lights from a second set, through a second baffle.

The WOUND panel: a brass gramophone horn in gold dots filling it, the spiral spring in its throat lit a bit over half way out from the hub, the printed crank over it.

Drag it or use the arrow keys to turn it; click it to take it apart.

Specs

Format

Width
20 HP
Depth
20.8 mm behind the panel; the crank's handle stands 38.6 mm in front, 23.3 folded
+12 V
about 45 mA at boot, 95 mA running, 190 mA at the most (estimated)
−12 V
about 7 mA (estimated)
+5 V
not used
Controls
a crank on two ball bearings, a big knob, 4 knobs

I/O

WIND
gate, past 1.5 V: a pulse a turn
STOP
gate, past 1.5 V
TUNE
1 V an octave, added to SAG in the analogue stage, within 2.4 cents an octave
Wheels
GREAT, CENTRE, TICK, FOURTH, ESCAPE: clocks, 0/5 V
CLAP
trigger, 0/5 V, 10 ms
SAG
1 V an octave, +3 to −5 V, plus TUNE
TENSION
CV, 0 to 8 V, 10 V overwound

Engine

Brain
RP2350, 64-bit float, 4,000 steps a second
The crank
a magnet on the shaft over a sensor, 16,384 counts a turn, read every step
The wheels
each edge where the train turned, to the nearest 7 ns, 1 ms behind the spring
Light
45 white LEDs along the coil, a lamp by each wheel, two pallets; a second set for the panel turned round
Power cycle
nothing kept: it wakes run down