scrap

the metal grows

20 HP

A drive where the sound grows scrap metal. Push it in and it rusts; play on and pieces of metal grow out of its hits, a pipe, a plate, a coil of wire, a bolt, each ringing at the sound's own pitch and struck by every hit after, until the body is a machine. TEAR rips it all off.

The SCRAP panel: black, gold dots in the shape of a whole body's bones, its collarbones out to the top corners, its ribcage edge to edge with an iron pipe down each side, a riveted plate over the breastbone, its spine down the middle and its pelvis across the foot. Sixteen pieces of metal in windows of bare circuit board stand on it: down each side a pipe, a bent plate with rivet holes, a coil of wire, a hex bolt and another pipe, a plate bolted at each hip, a bolt either side of the breastbone and a coil either side of the spine; down the middle under DRILL a drill bit in the same bare board, its flutes in chevrons. TEAR, the button, under the name, GROW and METAL either side; DRIVE, the big knob, under it; DRILL under DRIVE; FLESH and FUSE in at the top corners, the GROW and TEAR gates with dashed white rings, DRIVE and DRILL under them, LEFT and RIGHT out at the foot corners. scrap at the top, daylight noise at the bottom.

Turn a knob: drag it or tap either side of it, roll the wheel over it or use the arrow keys; a double click puts it back. TEAR is a button: press it to rip the metal off. The patches step on by themselves until you touch anything.

What you hear is a rack played through SCRAP: a pounding beat, a distorted bass and a few stabs into FLESH (or the bass into FLESH and the drums into FUSE). It's all made in the page as you listen.

example patches

The drive, the metal, the drill and the tear here are SCRAP's engine as it's designed, running in your browser. The beat, the bass and the stabs are a stand-in for the rest of a rack.

Growing

SCRAP hears every hit in what comes in: how hard, how bright, and at what pitch. A hit over the line may grow a piece of metal: a kick's dark thump a pipe, a snare a plate, a hat a coil of wire or a bolt. The piece rings at the pitch the sound had when it grew, moved by octaves into its own range, so the metal rings in the sound's key. Every hit after strikes every piece grown, each a few milliseconds apart, so they clatter.

Flesh and metal

The sound itself is the flesh. It goes through the drive, and the drive is what strikes the metal and feeds it, so the harder it's pushed the harder the metal rings. As the metal covers the body, the flesh goes.

The drill

A motor grinding at the sound's own pitch: it spins up while the sound plays, bogs down on every hit and winds down when it stops. Its flutes turn on the panel as fast as it runs.

Fuse and tear

What comes out

Specs

Format

Width
20 HP
Controls
4 knobs (DRIVE's big), a lit button

Inputs

FLESH, FUSE
audio, ±5 V, pushed through the drive together
GROW, TEAR
gates, rising past 1 V
DRIVE, DRILL
CV, ±5 V, added to the knob

Outputs

LEFT, RIGHT
audio, the machine in stereo, exact to 6 V and saturating softly past it