i let you in

take its hand

20 HP

The panel is a hand. Hold it and what you play comes out in another voice, made of what it heard earlier, chopped and sung at your pitch, in your rhythm. One finger and it whispers behind you; the whole hand and it speaks through you. Hold on too long and it stays.

The I LET YOU IN panel: black, with an old hand in gold dots held up palm out down the middle, the whole hand a window of bare circuit board that lights from behind a segment at a time, its forearm running on to the foot. IN, WHO, LET IN and the WHO knob down the left edge; GRIP, HUNGER, CANDLE and the HUNGER knob down the right; NINETY on the wrist with OUT and SPIRIT either side, STAYED under it, the LET IN and CANDLE buttons in the bottom corners. i let you in at the top, daylight noise at the bottom.

Turn a knob: drag it, roll the wheel over it or use the arrow keys; a double click puts it back. Hold the hand: press and hold a finger, the thumb or the palm, and drag across more of it (or use more fingers) to hold more. LET IN and CANDLE are buttons. The patches step on by themselves until you touch anything.

What you hear is the rack through I LET YOU IN. The line, the drums and the voices it heard before you came are made in the page.

IN becomes your microphone, from when you press it; what it hears stays in your browser.

example patches

The hand, the voice, the time and every out here are I LET YOU IN's engine as it's designed, running in your browser. The line, the drums and the drone are a stand-in for the rest of a rack.

Holding it

Patch something into IN: a synth line, a voice, a drum loop. Its rhythm and its pitch play the voice, and everything at IN is kept: that's what the voice is made of.

The voice

Each note at IN takes a chop of what it heard before, sung at your note's pitch in its own octave, at your rhythm. The old words keep their own pace, so it sounds like a voice cut up and played, not one sound filtered by another.

It stays

The candle lights when the hand is first held. From then the time adds up whenever it's held, and never runs back. As it runs out the hand fills with light, a segment at a time, from the fingertips down to the heel.

What comes out

Specs

Format

Width
20 HP
Controls
3 knobs, 2 lit buttons, a hand to hold (its fingers, thumb and palm)

Inputs

IN
audio, ±5 V full scale
GRIP
gate or CV, a finger every 0.8 V
LET IN, CANDLE
gates past 1 V (CANDLE as it rises)
WHO, HUNGER
CVs, ±5 V, 10% of the dial a volt

Outputs

OUT, SPIRIT
audio, held under 5 V
STAYED
gate, 5 V while it has stayed